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BUY MY BOOKS | HOME | FICTION | ESSAYS | ON-LINE DIARY | MARGINALIA | GALLERY | INTERACTIVE FEATURES | FAQ | SEARCH ENGINE | LINKS | CONTACT ![]() the official website for the writings of www.ralphrobertmoore.com "It is easy to see why Father Figure has become an underground classic over the years. It is a dark, extremely disturbing but completely gripping suspense thriller with a strongly erotic subtext...Moore is an extremely talented writer with a gift for pushing the reader's emotional buttons...certainly liable to become a cult classic, and deservedly so." --From an editorial review of the novel Father Figure, published by Bookbooters "For me, the masterpiece of the collection is The Rape by Ralph Robert Moore, a multi-viewpoint – in every sense of the word – examination of an apparent rape (or is it) that sizzles with tension and inventiveness." --Terry Grimwood, in Whispers of Wickedness, reviewing The Rape, published in Sein und Werden. "…once again the editors have confirmed their extraordinary literary taste and excellent editorial instinct by selecting twenty stories which, for the most part, are up to the high expectations of 'Darkness Rising' aficionados…In some instances, I suspect, the stories are so good as to surpass even the best from the previous volumes, much to the delight of everyone fond of solid, compelling short fiction...[four of the stories] are really outstanding..."The Woman in the Walls" by Ralph Robert Moore is quite amazing. Despite the tell-tale title (believe it or not, that's the core of the plot!) the story is so original and full of surprising twists it remains absolutely memorable." --Mario Guslandi, in The Agony Column, reviewing The Woman in the Walls, published in the hardcover anthology, Darkness Rising 2005. "This is a very strong tale, which will take a hold of you at the beginning and grip until the end. It tells of a farmer and his family and the tragedies which fall upon them, and of the dedicated employee who does anything the farmer asks of him. I found this tale to be very emotional, yet creepy and violent. Moore puts us, the reader, right into the story as if we are driving it, and we are." --Chris Cartwright, in Whispers of Wickedness, reviewing The Machine of a Religious Man, published in Midnight Street, Spring 2005 "…as it's always the case in any anthology, some stories in "Read By Dawn" are positively awful, some just ordinary, and only a bunch are worth mentioning. The latter group, in my opinion, amounts to a dozen, which is not bad at all in a volume assembling twenty-seven tales …The Little Girl Who Lives in the Woods by Ralph Robert Moore is a very dark, cruel tale about the hidden truths of human existence, blending the reality of spoiled innocence, loneliness, violence and hunger for love." --Mario Guslandi, in Horror World Review, reviewing The Little Girl Who Lives in the Woods, published in the anthology, Read Before Dawn, 2006. "Another mind-blowing story is Truth Be Told by Ralph Robert Moore, and it is probably the story that most fits the ‘artifice’ remit. A couple – Franklin and Sarah – are talking. He questions her about her encounter at work with another woman, and his questions gradually lead her on to more and more pornographic descriptions of the encounter. It is obvious from her changing stories that much of what she is saying cannot be true. Is she taking her cues from Franklin’s (leading) questions? Is this some sort of a game that they play regularly? But there is a narrative outside of Sarah’s, and it is moving on and taking the reader somewhere disturbing. A quite remarkable story." --Jim Steel, in Whispers of Wickedness, reviewing Truth Be Told, published in Sein und Werden, Volume 1, Issue 4, 2007 ![]() My novel Father Figure, a bestseller for its publisher in trade paperback, is now available for free in PDF format. Click here to go to a page where you can download the complete text of the novel. If you're here, it's probably night. You can see a window from where you sit, and the window is dark. Who really knows what's outside? I write. If you read, we've just made a connection. SENTENCE is the forest you fall asleep into. Like most authors, I'm more comfortable between covers, but the truth is that's getting harder and harder to achieve these days. Markets have become increasingly timid in this family values age. Plus the table of contents of most periodicals nowadays is decidedly tipped in favor of the falsehoods of nonfiction over the disturbing truths of fiction. Length is another alarm. Many small-circulation magazines, understandably, want to represent as many writers as possible in an issue, and therefore are less likely to accommodate the girth of a well-fed novella. Back in the thirties, when fiction magazines were as popular as television is today, young writers could move to the cement and grass of the city and be on newsstands two months later. We bemoan the loss of those days of opportunity, but the truth is we now have more magazines than ever before, only they're called websites. Thanks to cyberspace, anyone can put out their own magazine. No more backroom arguments with printers, no more getting down on your knees in front of advertisers, no more embarrassment trying to extract your right index fingertip from the white string knotted atop the bundle of the latest issue. Some people say, but if you put your fiction on the web, it'll be stolen. Let's examine that. What could be stolen is either the story itself, or its ideas. A story can be stolen printed or posted, but it should be fairly easy to establish, in either case, the author. If you want, include in your text an anagram that, when held up to light, identifies you like a watermark as the author. Ideas can be stolen-- a simile, a description, a joke-- but that will happen regardless of the medium in which your baggage is left alone on the airport floor. The truth is, fear of plagiarism is fear of readership. We have an enormous range of talent out beyond the electricity. Talent that can share on the Internet. There are dangers, but to be plagiarized is never fatal. What is more important is to be read. Because if it's in a box, and no one but you knows about the storms raging through the paragraphs, the footsteps plodding soggily down the sentences, water dripping off the rims of words, that's the biggest shame of all. A fizzle. Because the real achievement of writing is not the writing. The real achievement of writing is someone else reading the writing. I've been published in America, England, Ireland, and Australia, and translated into Lithuanian. My fiction has been called "graphically morbid". My writings are not for everyone. Are they for you? Find out. You can either go to one of the links in the upper left of this page to read the complete texts of many of my short stories and other writings, published and unpublished, as well as lengthy excerpts from my novels, or you can go to Words Walking Nude, a collection of about fifty short excerpts from my work, to see if you like my style, and what I have to say. Art is an invitation to go inside someone else's mind. To see our world as they see it. SENTENCE is my mind. I'm glad you came. I just lit a cigarette. I just poured Merlot. I hope you enjoy your exploration. Webmaster Ralph Robert Moore at robmary@swbell.net. Entire contents Copyright © 1997-2008 by Ralph Robert Moore, All Rights Reserved. For a complete chronology of site updates, please see HISTORY. Established January 1, 1998. "All was chaos, that is, earth, air, water, and fire were mixed together; and out of that bulk a mass formed-- just as cheese is made out of milk-- and worms appeared in it, and these were the angels."
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the seventh white styrofoam bowl october 1, 2008
So, it's been a strange past month. In the middle of it, I went through a week where I really felt like the writer I've always wanted to be. I worked more on my fifth novel, The Angry Red Planet, speeding along at sixty miles an hour, but then hitting that "here comes the end" stretch where things inevitably slow down, maybe because you're reluctant to leave that world you've lived in so long, crashing into the orange, water-filled drums of the final pages, forehead heading in slow motion towards the windshield of the last sentence. That same week, I edited the publication proofs for not one, but two, of my stories: Grappling With Urine, which will be appearing in Chimeraworld, and Strangers Wear Masks of Your Face, which will be appearing in Theaker's Quarterly Fiction. That's a great experience, to go over a story of yours, line by line, in the columns and headings and page numbers format in which it will be printed, to prepare it for publication. I received print copies of Midnight Street and Grasslimb, with stories of mine in them (Rocketship Apartment and Damp, respectively). I also heard from the Artistic Director of Emerging Artists Theater, an off-Broadway company, letting me know that out of over 300 submissions by playwrights, my play (the first I had ever written), Duck Eggs, had made it to the finals. Sunday, September 14, my play, along with the other finalists, was read before the entire company (actors, directors, set designers, etc.), to decide which play the theater would produce for the Spring 2009 season. The Artistic Director sent each of the playwrights still in the running a copy of the day's schedule. I was pleased to see that Duck Eggs would be the final performance of the day. Sometimes, that's a good sign. Unfortunately, Duck Eggs wasn't selected. Which is okay. I remember when I decided, as a lonely kid, that I wanted to be a writer. It seemed so glamorous and impossible a profession, like being an astronaut. But now I can say that in addition to all the other modest successes I've enjoyed as a writer, on September 14, in a theater in mid-town Manhattan, I had a group of theater professionals read my play out loud, to other theater professionals, some of them award winners, and consider it for production. That's a great feeling. The past month was also speckled with minor and major problems, more so than most months. The weather having cooled, Mary and I started working out in the garden again, but then one of those afternoons, coming back inside, sweaty, Mary discovered a huge bug bite on her forearm. What kind of bug bit? We have no idea. But the infection from the bite spread, until her entire forearm was inflamed. We had to go to the dermatologist, for a shot and prescription salve. Then our steering wheel started vibrating. I figured it was a tire problem, since it only happened when we were driving, not parked. We went to a tire store, and sat in their waiting room, watching TV we would never, ever watch, for hours, while they replaced all four tires. And the problem went away. We have a Kenmore Elite side by side. The ice from the ice maker started to smell, then the water from the dispenser, then the entire interior of the refrigerator. It was a ripe, acidic smell, which made me wonder, with dread, if a line had broken where it was dispensing Freon into the interior (I know refrigerators no longer use Freon, but whatever the comparable gas would be.) Finally, working my way down the shelves of the refrigerator, we isolated the problem. A bag of lemons in the produce bin, all the lemons perfectly yellow except one, which was as black as a tumor. As soon as we smelled it, we immediately recognized the bad smell from the ice and the water. Then, worse of all, one of our cats, Athena, started to lose weight. The thing about something bad entering your life is that it rarely happens all at once, like a car crash. Badness is usually more subtle. Insidious. Like a leak. One day you notice a drop of water on your kitchen counter, wipe it up with the top pad of your thumb, don't pay it any more attention. A week later, it's a little pool. Where'd that come from? Then you notice the discoloration on the ceiling above the counter, then you wake up in the middle of the night to the sound of a frightening crash, like burglars in raccoon masks breaking in, race out to the kitchen with a pillow as a weapon, and see the upstairs toilet lying on your stove under a huge, dripping hole in the ceiling. So it was with Athena. Was she hopping up on our bed less often? We didn't notice. Eating less? Like you, we're easily distracted. But one day, I don't know why, I did look at her, and she seemed thinner than the others. I called her over, petted her, moving my fingers down her back bone, and instead of that wide band of meat, I could actually feel the small knobs of her spine. A moment of dread, like lazily scratching under your arm and discovering a hard lump. We took her to the vet. His examination didn't turn up anything unusual. Her kidneys weren't swollen. Moving his hands along her underside, head tilted to one side, he agreed she was bony. His progress under her stopped near the top of her chest, where his fingers listened for a while. "Her heartbeat is a little fast. Even for a cat who isn't used to going to the vet." He explained the course of tests he'd need to conduct to try to determine what was causing her weight loss. An initial blood test to see how her organs were. If that test showed a problem, he could probably start treatment, based on which organ was affected. The test showed her organs were fine, but it did indicate she was anemic. We paid for a second blood test, to try to determine the cause of her anemia (we couldn't begin treatment until we knew what to treat.) This second test focuses on common causes of anemia in a cat, such as parasitical invasions (worms, etc.) or toxins. The test came back negative, unfortunately. (Not that we wanted Athena to have a parasite or toxic substance in her, but at least if she did, we'd be able to start treating her.) So then the vet took a third blood sample, to have a pathologist, rather than a lab technician, look at it. Athena has non-regenerative anemia. What that means is her bone marrow is no longer producing red blood cells. At all. But we still don't know why. So at this point, Athena is not receiving treatment for her condition. What we're doing instead is treating her symptoms, while we search for the cause of her anemia. "Treating her symptoms" sounds reasonable, but what it means is pulling her out from under the chair where she now lies all day, fur standing up from her emaciated hips like tiny dark gray feathers, prying her mouth open, and, using a syringe, squirting fever medicine and children's Benedryl into her mouth. The Benedryl is to clear up her congestion, which is blocking her nasal cavities (cats don't eat food they can't smell.) There are a lot of hard things pet owners do for their pets, but one of the hardest is to take a cat who isn't feeling well as it is, force her mouth open, and force liquid down her throat, all the while her eyes are widening with panic. Not being able to explain to her, like you would a human, that we're not trying to hurt her, we're trying to help her. Since we're still desperately searching to find out the cause of her anemia, the next diagnostic step is to have her undergo a bone marrow biopsy. Our vet has ordered the needle needed for the biopsy, which should arrive this week. Hopefully, after the biopsy, we'll have some answers, and can begin treatment. If not, we move on to the next diagnostic step, sonograms and x-rays. She's six years old. I posted a Lately a while back about trying to figure out the recipe the national fast food chain Popeye's uses for its red beans and rice, one of those dishes that are absolutely perfect. Joe Breaux, who lives in Baton Rouge, Louisiana, and knew the ex-wife of the owner of Popeye's, wrote me to say that the key ingredient to the red beans sauce is minced pepperoni. Which was a revelation. Because honestly, I never would have thought of using pepperoni, and none of the clone recipes I've seen on the Web call for it, but it "instantly made sense". Since then, Joe's sent us a couple of recipes that have really impressed me in their inventiveness, including a shrimp dish that uses shrimp cooked in liquid a long time, to where it's essentially stewed, something that inherently seems wrong to do, but in fact produces a great taste and texture. So the past week or so when Joe sent me a new recipe he'd developed, for a hamburger that uses gelatin, I was intrigued. Because of the problems we've been having with Athena, we haven't tried it yet, but Joe's recipes have been dependable, so I certainly recommend giving it a try. Here's Joe's email to me:
After I wrote all of the above, we got a call from our vet on Monday, September 29, saying the bone marrow biopsy needle had arrived. We immediately brought Athena in, her meowing in her cat carrier in the back seat all the way, so we could hopefully get a diagnosis and start actual treatment. The vet called us a few hours later. Noticing how labored Athena's breathing was, he was understandably reluctant to give her general anesthesia. He took an x-ray to check the condition of her lungs, and the cause of her anemia was finally revealed. She had nodules throughout her body cavity. The cancer was so extensive it was inoperable. Athena was one of five kittens born to Lady in the walk-in closet off our master bedroom. If you'd like to read about Mary and me witnessing their births, you can go here. Each of the kittens have grown up with different personalities. Athena was always a bit of a loner. Didn't socialize much with the other cats. Every once in a while she'd hop up on our bed, promenading back and forth at the bottom, so that we started to think of the song, Don't You Wish Your Girlfriend Was Hot Like Me, only we'd see it as her singing, Don't You Wish Your Kitty Was as Cute As Me? Then she'd usually get up on her hind legs by my ribs and start kneading my chest, so that it looked like a church organ lady playing Bringing In The Sheaths. We also had a song we made up for her, the sort of thing lovers create for their own amusement:
Our nickname for her was The War Goddess. Once we learned about the cancer, and that it was end stage, we decided to end her life. She was near death, and although she wasn't in pain at this point, that unbearable cancer-pain would start soon. We picked old clothes off the floor, who gives a fuck about appearance at that point, drove to the vet. They had us wait in the same room where Rudo, another one of our cats, was put to sleep. Apparently it's a room the hospital reserves for putting pets to sleep. A high, metal table, two chairs, a wooden table between the chairs with the typical doctor's spread of magazines. I'll bet those magazines never get read by any of the room's temporary occupants. An assistant brought in Athena, swaddled in a large blue blanket with white snowmen and blue Christmas trees. As always happens, she looked more vital than we expected. But the more we talked to her, the more we could see how sick she was. Emaciated, bad eyes. After our alone time, the vet entered with an assistant. A catheter was already taped around one of Athena's front legs, to make the injection easier. He started by injecting a saline solution into the catheter, to flush it. After that, he picked up the second needle. "Are you folks ready?" We held onto Athena, petting her, kissing her, one final time. As the plunger descended, she lifted her head off the metal table, as if she had heard something. Then she turned into a rag doll, with rag doll whiskers and fangs. The vet put a stethoscope against her bony chest. No heart beat. Protocol was to wait five minutes, after which he would check her heart again, to be sure. After the second listening, he looked up at us. "She's gone." We have/had seven cats. So we always deal out seven styrofoam bowls on our kitchen counter, fill them with food, lower them to the kitchen floor, amidst all the meows. Tonight, Monday, after we buried Athena in our backyard, Mary put bowls on the counter for the latest feeding. She looked down, then over at me, sad. Out of habit, she had put out seven bowls. We filled six. The seventh white styrofoam bowl we left empty. Goodbye, Athena. ![]() Athena (2002 - 2008) A new Lately is published the first of each month. To print this Lately, please go here. To read previous Lately entries, please go here. |